There is a feeling called jewelry

What do we consume when we buy jewelry?

After seven years of infiltration in the jewelry appraisal industry, I fell in love with all the jewelry. Buy one at home from time to time, occasionally take it out, feel good, and wear it for a few days from time to time. I often think that jewelry is really so charming. In the daily appraisal, not only does it not produce aesthetic fatigue, but it makes me feel that jewelry is more lovely than other luxury goods. In fact, without careful thinking, jewelry will tell me a good reason for reason and sensibility.

Jewelry, like other luxury goods, has been labeled as “invisible”. The question of choosing water or jewelry in the desert makes it absolutely reasonable for consumers to look good and refuse jewellery. But naturally, we don't buy jewelry when we are struggling on the food and clothing line. Our consumption tends to be high and diversified, and it must be related to the real meaning of survival such as “eat, wear, and live”. This is also a kitsch and low-level consumption concept. After the economy has developed to a certain level, people have higher demands in terms of mental and psychological aspects. When we see beautiful jewellery giving us a sense of pleasure and satisfaction, when we have enough ability to pay for it, is there any reason to say no?

But why is jewelry more special in the consumption of luxury goods? Compared with some other luxury goods, we often see products on the production line: the same style, logo, price, role, when we wear and use, people can quickly quantify our worth with price In social simple and rude manner, the world's high and low nobles are divided. We found the same people as us through the logo, thinking that they are our partners, standing on the top of the illusory social hierarchy, looking for an inflated sense of vanity. But what about these imitations, apart from explaining the guilty conscience and losing oneself?

However, the jewelry is very special. It is a gift from nature: in more than 3,000 kinds of minerals, only those beautiful and rare and lasting more than 30 kinds, there is reason to be a jewel, which is appreciated by people. The jade on the wrist is caused by the impact of the continental plate; the Moerdaopo glass between the items is on the earth outside the earth; the fingertip diamonds began to grow 3 billion years ago. Their birth is inevitably a special environment that coincides with coincidence, and the growth cycle is extremely long, so the jewelry itself is a work of art created by nature. Jewelry is loved by us for the basic reason, and each gem cannot be copied and unique. When we take beauty as a starting point to appreciate art, we are simple.

The beauty of jewellery lies in its unity of nature and man. From mining, beneficiation, cutting, design, processing to finished products, we retain the look of the jewelry itself, as well as the traces of human reprocessing. Nature gives us the raw materials we create, and the wisdom of human beings gives the soul of jewelry. We often marvel at why a piece of jewellery is so fascinating and amazing. In fact, it is nothing but an original worship of both natural and magical, as well as an admiration for wisdom.

When we decorate ourselves with jewels, use the linguistic symbols of jewellery to tell our own styles, let jewels witness a special thing, and let jewelry accompany us long and old, these jewels also have a historical significance. And the jewellery is also because its persistence can pass on these testimonies. Nature gives the jewels a good enough quality to make it almost zero-loss: a diamond, worn for dozens of generations, can still be as clean as ever; a piece of Hetian jade carving, which has been passed down for centuries is still warm... When someone later saw a piece of jewellery, remembered the person who had used it, remembered how many years it had changed, and remembered how many stories it had. Is this not what we have ever existed?

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