Emperor Kangxi's porcelain features during the Qianlong period

Emperor Kangxi's porcelain features during the Qianlong period:

1, the shape of the ancient and heavy, the new creation of a variety of shapes. The neck of the device is slender compared to other periods, and the round is mainly a pier.

2, the tire is firm and fine, like a jade, repairing the tires, and generally have a heavy feeling.

3, the glazed surface is smooth and delicate, the glaze is tightly combined, and the glaze has an early white-white color which evolves into a medium-term white and white color. After the mid-term to the Yongzheng period, it changed into a hard glaze.

4, blue and white use of domestic beads Mingliang, blue and white tones, mainly blue, have deep color, close to the characteristics of the fetal bone.

5, multicolored and other color devices, the early colors are thick and colorful, the middle part fades, and the late color is soft.

6, the early mouth of the utensils often coated with yellow glaze, the general mouth is applied with a layer of white glaze containing powder, giving people a thicker mouth along the convex feeling.

7. Multicolored is composed of five colors: red, yellow, blue, green and purple. The colorful of the Ming Dynasty consists of red, yellow, green and purple glaze and underglaze blue and white. Replace the underglaze blue and white with the glaze on the glaze. There are also red, yellow, green, blue and black. When Kangxi was colorful, he added gold color to make the picture magnificent.

8. At this time, the three-color device is more prevalent. There are three colors of yellow land, three colors of green land, three colors of purple land, three colors of ink, three colors of white sauce, and three colors of tiger skin. At this time, there are three underglazes, which are composed of three kinds of underglaze colors: blue and white, glazed red and bean green. It is a special variety in the Kangxi period. Kangxi smeared red, its color is Zheng Zhu, bright and dazzling, its official kiln color bowl is the best. The glaze red is also superior.

9. In the late Kangxi period, Lang Yaohong appeared, and the "light grass mouth" along the mouth of the object appeared from the Yongle period of the Ming Dynasty.

10, Kangxi, painted characters, more with a blue pen to hook out the face, very durable, the beauty of the cheeks often dizzy to light, quite quite burnt. Character dresses are the most vivid, and the trees are old and dry, and the flowers are graceful. The painting is loose for the color of the eggplant, the needle of the ink color, and the hard green color gives the impression of thick and green.

11. The pattern ornamentation has a strong sense of the times, and its painting, brushwork, layout, and color-applied crafts have specific rhythms of the times. The theme is historical allusions, character stories, as well as fishing houses, farming and weaving, sea, hoe, farming, and reading. In addition, there are grass worms, flowers and birds, Yunlong, Shanshui, Baxian people, Baxian Qingshou, Babao, Bogu, tangled flowers, Loutai Diange, Hehe Erxian, and Samsung people.

12, the foot, there are flat feet, wide and thick foot, double circle bottom, two-layer platform, arch wall bottom, circle foot.

13. Kangxi has a double-bottomed market with two circles on the sole. There is a deep groove between the two circles. This double-bottomed market is more typical. At the same time, the pen holder is characterized by thicker upper and lower parts, thinner middle waist and no glaze on the bottom.

14, Kangxi Palace kiln style is mainly written, mostly written at the bottom of the device, there are a few written on the body, generally "Da Qing Kangxi year system" has six characters and two lines, six words and three lines, the general kiln utensils are generally no money Some utensils have only blue and white double circles or an autumn leaf, a plate, etc.

Yongzheng period:

1. The styling characteristics of Yongzheng Porcelain are: 隽秀尔雅, small and exquisite, mainly based on plates, bowls, cups, saucers and small utensils. The proportion of the type is coordinated, and there is a so-called "curve beauty".

2, the thin body is light, the large body is regular and not heavy.

3, a variety of glaze colors, glazed orange peel, this is the prominent feature of the sputum.

4, the kiln turns red glaze, which begins to appear at this time, is the two colors of red and blue intertwined, more blue than red.

5, furnace glaze, also from this time, is composed of two colors of sorghum red and turquoise green.

6, blue and white tones are white and white. The color of blue and white is not as good as that of Kangxi. Generally, there are only 2 to 3 shades of color.

7, the color of the color porcelain is soft and not glamorous. The characters painted in pastels, multicolored, and fascinating, and the scenery, are obviously reduced, and the pictures are gathered. The pastel pattern is delicate, the color is light and the three-dimensional effect is strong. Around the pattern of Shicai, the side view often shows a circle of colorful "color halo" at the side of the white glaze.

8, the pattern has a meticulous style, the characters are beautiful, the flowers are especially delicate and charming.

9. The color of the fighting machine is improved compared with that of Kangxi. Both the color and the pattern are more fine than before. The color is thinner and the color tone is very soft and elegant.

10. Since the beginning of the Fazheng porcelain, the “Guiyuexuan” is more elaborate than the production process of Kangxi. At this time, there is a significant difference between Yucai and Kangxi: when Kangxi was used, it was generally a more regular pattern painting with colored ground. At the same time, it is a painting without color, especially for painting, and the theme of painting is also increased, such as flowers, birds, landscapes, pines, bamboo, plums, etc., which is extremely vivid.

11. The enamel pattern is still based on painting, and the pattern is particularly uniform. The flowers and animals in the sketches are very vivid, and the yin and yang faces of the paintings are also obviously the same as the paper-painting style at that time.

12, the paintings are decorated with tangled flowers, broken flowers, flowers, pine bamboo plum, leather ball, eight peaches, flowers and birds, butterflies, Yunlong, Yunfeng, Tuanlong, Tuandie, Babao, Zhuangdan, Magpie Dengmei, Landscapes, figures, the West Chamber, the baby play, the sixteen sons, the lady figure, the Eight Immortals and the Loutai Pavilion.

13, the foot is regular, the feet are rounded, and the tires are narrow and thin.

14. The official kiln has a “big Qing dynasty system” six-character and two-line 楷 book, and there are also six-character and three-line 楷 books, all of which have blue and white double circles, blue and white boxes, and some have no borders, and “big "The Qing Dynasty is the system of the year" and the "Yu Zhengnian system" stamp.

Qianlong period:

1. The shape is regular, the proportion is appropriate, although the appearance curve is not as beautiful as the time of the gong, but it is still more beautiful than the Jia and Dao period, and the small pieces are especially delicate. The pre-stage type is just as good as the 雍 timing, and it is sluggish in the later stage. Since then, the styling style of each dynasty, in addition to Jiaqing's early can still guard the Qianlong day, the longevity of the day is declining in turn, and the situation is getting worse.

2. The carcass in the early stage is fine and gradually becomes rough in the later stage.

3. Although there are many manifestations of blue and white color, it is mostly stable and pure blue. In the beginning, there are black brown, gray gray and light blue, the color is calm and the pattern is clear.

4. When the furnace glaze reaches the dome, it is different from the 雍 time. Its color is composed of turquoise green and dark blue.

5, Fa Yucai is also known as "Gu Yue Xuan" or "porcelain tire painting", generally have the "Qianlong Year System" four-character letter of the blue material.

6, bronze color is the use of pastels and gold color, painting on porcelain, used to imitate the red, green and blue rust spots of ancient bronzes, this is the invention of the color of porcelain in the Qianlong period.

7. In the Qianlong porcelain, there are popular paintings in red, yellow, blue, green, and other color fields, which can be called color painting.

8, some of the colored ground to open a circle of light for painting, called the opening painting.

9. The color rolling tunnel began to appear in Qianlong. This kind of rolling road was drawn by tools, like rolled out, so it was called rolling.

10. There was a porcelain with a lot of flowers painted in pastels.

11, glazed glazed, often with a uniform full of small wrinkles.

12, the production process level is extremely high, exquisite, beautiful, no strange, not rare for the history of porcelain.

13, pattern decoration, the characteristics of the times are clear, the painting is fine, the level is clear, the painting is rigorous and delicate.

14. The feet are thicker than the front, the feet are rounded, and some are painted with yellow or black glaze. Near the glaze of the foot, there is a small scraping of the carcass leaving a small sawtooth mark.

15. The annual amount of the official kiln is mostly the six-character seal of the "Qing Qing Emperor Qianlong System", and there are also four-character seals of the "Qianlong Year System". There are fewer money for the book. The family collection on the kiln utensils is not very popular.